This is a poem I’ve been working on for a couple of months. It names a number of Asheville, N.C.-based landmarks, characters, and artists, but my hope is there’s something of the universal. So many of us are witnessing the loss of our communities to the juggernaut of development and wealth, neither of which ever do much to forward the arts or the creative culture.
The Merle performing at Vincent’s Ear.
THE GHOST OF GAVRA LYNN
The man took the temperature
of this neighborhood and decided
in his boardroom that, yes, it’s time
to capitalize on what the artists
built. The ambiance of ingenuity mined
from the rubble. Construct a hotel
to tower over the coffee shops and dive
bars, over the thrift stores and book stores, over Continue reading
“In a lot of places in the United States, you can still get a degree in English literature and not have to study any people of color,” says poet, author and educator Frank X Walker.
This postcard of a child with a book is from the The East Riverside Photographs Collection associated with the East Riverside urban redevelopment project of Asheville. Photo courtesy of Special Collections, UNC Asheville
“It’s part of the whole master narrative that displays the idea of a hierarchy in our society, that suggests whose work in this culture is more valuable. And it’s not women or people of color.”
I spent several months working on a three-part series about the history of black writers in Western North Carolina, and why the voices of those artists have been excluded from the dominant narrative.
Find Part 1 here (with quotes from Walker, UNC Asheville history professor Darin Waters and Asheville-based author Monica McDaniel); find Part 2 here (with quotes from authors Meta Commerse and Ann Woodford and poet Glenis Redmond); and find Part 3 here (with quotes from poets Nicole Townsend, James Love and Damion Bailey and author Charles Blount).