‘Lilith’ show on Saturday, Aug. 24

FLYER IN A DARK CHAMBER: Meditations on Lilith is a collaboration between performance poet Alli Marshall, musician Liz Lang (Auracene); dancers Sharon Cooper and Coco Palmer Dolce, Butoh artist Jenni Cockrell, and with imagery from artist Alli Good. Soundscapes, words and movement lead viewers through a series of vignettes delving into the many faces of Lilith, from the original woman who refused to be subjected by a man in the Garden of Eden to the miracles of the Black Madonnas of the Christian faith to the recent clemency of Cyntoia Brown who was accused of killing a sex trafficker.

The show will be performed on Saturday, Aug. 24, 7 p.m. at Black Mountain College Museum + Arts Center, 120 College St., Asheville.

$10 for BMCM+AC members and students with ID / $15 non-members.
Tickets at brownpapertickets.com.

Lilith save the date

 

Dec. 5 reading event

Culminating my year as the UNC Asheville Ramsey Library Community Author Award recipient, I will be giving a reading on Wednesday, Dec. 5, 6-7 p.m. Local musician Heather Taylor will accompany me. There will be snacks.

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Photo Adam Taylor

Much of the work I’ve been focused on for the past year has been around themes of women’s wisdom, the mythology and archetypes of femme-identifying people, and social justice. I’ll be sharing pieces from a collection about the Oracle of Delphi (and my contemporary interpretation of that phenomenon) as well as a new piece that seeks to weave the mythology of the Appalachian/Cherokee Wampus Cat with that of the 16th century Mayan jaguar goddess Ixchel. There will likely be an f-bomb or three.

More details here.

 

The Eye of Hathor (video)

A performance from this year’s Asheville Percussion Festival. Soundscape by Bonnie Whiting, movement by Brandi Mizilca, words by me. It’s a poem about creative work and women’s work and the intersection of the two: the point at which an artist steps through fear to meet a challenge. (At least that’s what I think it’s about — but it’s totally open to interpretation.)

Video and audio by Joshua Messick, live soundboard audio mix by Steve Beatty and Edward Link at Diana Wortham Theatre in Asheville, video editing by Asheville Rhythm.