After deleting 139 photos of my ex, my photo gallery looks like I’ve only ever vacationed by myself. I suppose that’s sort of true: Me leaning casually against Hadrian’s Wall; me at Edith Piaf’s grave; me, in an optical illusion, touching the top of the Temple of Kukulkan as if it’s miniature and I’m a giant.
I can barely remember feeling hot that day, in Chichen Itza, or motion sick from the bus ride. I recall those details like an itinerary, like a packing list, like a fact that could also be a lie. Like a movie I once saw while sick with the flu that I later, inadvertently, adopted as a series of scenes from my own life. Memory is like that: Fallible, slippery. Continue reading
I found a folder of 68 photos, from a 2015 trip to Ireland, on a forgotten SD card. Like finding an old role of film, it turned up some treasures and lots of questions. What is this shot even of? What was I feeling on this day? Who was I, three years ago? So this week’s post is a flash fiction on that theme.
It’s not this town. And you’re glad, though this town is scenic, sprawling along a mineral-gray lake. The banks are mossy and the sky is pale blue and the hill beyond the village is artfully terraced by ancient people who carved civilization from the land with Iron Age tools. Maybe it was Bronze Age. You should know from all the museums but you don’t know. Continue reading
It’s the time of year when kids go back to school and people on the precipice of adulthood go off the college — some for the first time. This year it seems like everyone I know is the parent of a 17- or 18-year-old who is starting college, so my social media feeds are full of photos of Move In Day(s).
It’s a rite of passage — one of many that I, a person without children, have not been through.
Move-In Day, 1948 , from University of Mary Washington
Two things: 1) I barely recall being dropped off at college for the first time. I know my mom took me. I remember she had a perm at the time. There’s a photo of us somewhere and I’m wearing cargo pants. She might have been sad to leave me, but that’s not how I remember it.
So the going-off-to-college initiation is likely more impactful for parents, because the teenager’s life up to that point has been nothing but change, nothing but new experiences. It’s been school and life lessons and body morphing. College is of all of that (on steroids) with different scenery and less adult supervision. Continue reading
After I separated from a partner of 15 years and was headed for divorce, I found the return to pagan traditions to be a great comfort. I connected to the cycles of the moon, the agricultural calendar, and my ancestors. I joined a community of women. I rediscovered my sense of magic. But as Beltane neared, I felt outside again. Middle aged, single, full of questions about sexuality and my relationship to relationships (ha!), I couldn’t envision a place for myself in Beltane’s celebration of fertility, conception, passion, marriage, and sex-positive heteronormality.
Xochiquetzal, left, by Thalia Took, and Artemis by PinkParasol
But, as my connection to the divine feminine and earth magic deepened, my perspective began to shift. Traditions are important, but spirituality is a living thing and, as such, breathes and morphs and expands to serve the needs of its practitioners. Our connection to spirit shapes us, but we’re active participants. We shape spirit, too. We evolve with it and in it and of it. Continue reading
It’s well established that writing is a solitary art form. It takes discipline and focus to forgo the social events and TV shows in order to slowly compose and polish a poem or short story or essay. And there are lots of books and blogs and, probably, TED Talks about how to make that happen. I mean, there’s an entire month — November — dedicated to writing a novel in 30 days.
Beat writers at a cafe in New York City. Photo from Wikimedia Commons
But what’s equally important to the writer’s life — and this is less-often discussed — is community. I’ve spoken about this, recently, to creative writing students at my alma mater and a writing/marketing class, and was met both times blank stares and skepticism and protest. And I get it. We’re all too busy and meeting new people is weird and we’re comfortable with our own writing voice/style/process and don’t need outside input. Only, the thing is, we really do. Here’s why: Continue reading
Image from endangeredpolarbear.com
A writer who I don’t know but follow on Twitter posted this William Faulkner quote today: “The only thing worth writing about is the conflict in the human heart.” And my first thought was, “Wait, is that right?”
I like quotes from writers and quotes about writing, but the thing about quotes is they sound like edicts when, in fact, they’re just the musings of creative people who, like the rest of us, are making it up as they go. Continue reading
“Skull House, Mississippi, 2014,” by Rachel Eliza Griffiths
You guys. I love Junot Díaz and really love both this writer’s use of a Díaz quote and just where he’s coming from in general.
• “Dragons Are for White Kids with Money: On the Friction of Geekdom and Race” by Daniel Jose Ruiz in The Millions: “There is progress; we now have an unapologetically black super hero series in Luke Cage. There is BlerDCon (Black Nerd), and Blerds (the term is typically inclusive of any non-white nerd) even get a shout-out in a song (thanks Childish Gambino).”
• “The Loneliness of Donald Trump” by Rebecca Solnit at lithub.com: “Instead of the dictator of the little demimondes of beauty pageants, casinos, luxury condominiums, fake universities offering fake educations with real debt, fake reality tv in which he was master of the fake fate of others, an arbiter of all worth and meaning, he became fortune’s fool.”
• “Let’s Play: Intuition, Imagination, and Black Creativity” by Maggie Millner at PW.org: “There’s a diversity within the black arts community that we don’t always acknowledge. … There’s no one way to be black or to celebrate our lives.”