After I separated from a partner of 15 years and was headed for divorce, I found the return to pagan traditions to be a great comfort. I connected to the cycles of the moon, the agricultural calendar, and my ancestors. I joined a community of women. I rediscovered my sense of magic. But as Beltane neared, I felt outside again. Middle aged, single, full of questions about sexuality and my relationship to relationships (ha!), I couldn’t envision a place for myself in Beltane’s celebration of fertility, conception, passion, marriage, and sex-positive heteronormality.
Xochiquetzal, left, by Thalia Took, and Artemis by PinkParasol
But, as my connection to the divine feminine and earth magic deepened, my perspective began to shift. Traditions are important, but spirituality is a living thing and, as such, breathes and morphs and expands to serve the needs of its practitioners. Our connection to spirit shapes us, but we’re active participants. We shape spirit, too. We evolve with it and in it and of it. Continue reading
If you live in Asheville and missed the debut of Sleeping on Rooftops at The ReHappening in March, here’s one more chance to see the show! We’ll be at REVOLVE on Wednesday, May 9, 7 p.m. The show also includes a solo set by musician Sally Ann Morgan.
Sleeping on Rooftops + Sally Ann Morgan (solo set)
Wednesday, May 9, doors at 6:30 p.m. / show at 7 p.m.
Sleeping on Rooftops, a collaborative work of spoken word, dance and experimental cello music, follows the model of the hero’s journey, as explained by mythologist Joseph Campbell. The story is of a young woman who ventures into the world for the first time. The piece was inspired by the collaborations of Black Mountain College artists M.C. Richards, Merce Cunningham and John Cage, and their collective foray into the source of creativity, and it debuted at the 2018 ReHappening.
Performed by: Alli Marshall (spoken word), Sharon Cooper and Coco Palmer Dolce (dance), and Melissa Hyman (cello).
Tickets are available here.
UPDATE: THIS WORKSHOP HAS BEEN CANCELED FOR THE TIME BEING. STAY TUNED FOR UPDATES AND RESCHEDULING!
I’m so excited to announce my upcoming workshop. I hope you’ll join me — and Athena — on an adventure of words, stories, healing, and connection.
Letters to Athena uses mythology and the archetype of the Greek goddess to reframe our own stories. There will be writing prompts, response writings and free writes all aimed at connecting with Athena energy and our inner warrior goddess — but this is not a writing workshop as much as an afternoon of personal empowerment and communing with the creative power of the goddess. Join me Sunday, May 20, 3-5 p.m. at Asheville Raven & Crone, 55 Merrimon Ave.
Why Athena? The goddess of wisdom, courage and the arts is exactly the spirit we need to call in right now, in this time of #METOO, political and environmental anxiety, and the kind of reshaping and intense transformation many of us are experiencing. Athena is also known as the goddess of war, but I prefer to focus on her qualities of justice, strategy and strength. Continue reading
I was invited by online arts and culture magazine HOLLER to be an Observer in Residence for a week in January. It was an fun challenge to post a photo and up to 300 words describing what I was thinking about or inspired by that day.
This is a snippet from Day Five:
There are tiny altars everywhere. I’ve started to notice them, focus in on them. A Buddha in a tattoo studio, a crystal scattering light on a window sill, a bell calling us to the present moment, a murmuration of starlings swooping, in formation, in the deep blue of evening.
Find all of my posts here.
Find the entire Observer series here.
This is a myth we often buy into as writers: that it’s solitary work. The stereotype is romantic — the novelist or poet locked into a small room, hunched over a typewriter, pouring inspired verse onto a page. Genius happens in solitude. Friends can be found and parties attended after the writing is published. Whenever that happens.
I don’t buy it.
Sure, we all need periods of quiet and focus to get our work done. But if writing is such a solo endeavor, why do we writers often get so much done in a class or workshop or write-in or group? Company — the right kind of company — bolsters creativity because it energizes and inspired and reminds us that we’re not alone. Others know this path, others can relate to our struggles, others appreciate our efforts and we will not languish in obscurity because we’ve already arrived in community. Continue reading
Join us at the Asheville Fringe Arts Festival. The Literary Circus will stage two performances of Flying Clothes & Prose — two sets of spoken word pieces inspired by clothing, complete with costume changes and musical accompaniment by Nights Bright Colors.
Photo by Vickie Burick
It’s well established that writing is a solitary art form. It takes discipline and focus to forgo the social events and TV shows in order to slowly compose and polish a poem or short story or essay. And there are lots of books and blogs and, probably, TED Talks about how to make that happen. I mean, there’s an entire month — November — dedicated to writing a novel in 30 days.
Beat writers at a cafe in New York City. Photo from Wikimedia Commons
But what’s equally important to the writer’s life — and this is less-often discussed — is community. I’ve spoken about this, recently, to creative writing students at my alma mater and a writing/marketing class, and was met both times blank stares and skepticism and protest. And I get it. We’re all too busy and meeting new people is weird and we’re comfortable with our own writing voice/style/process and don’t need outside input. Only, the thing is, we really do. Here’s why: Continue reading