My experience as an artist so far has been that I am led down various life paths, often related to the BIG LIFE ISSUES (marriage, career, friendships, family, health scares for myself or those close to me, minor and major tragedies, national and world events) and make art in response to those experiences. The art isn’t really planned beyond “I think I’m OK at writing, so I’ll study that, and since I’ve studied it a bit, I guess that’s my main media” or “I’m sick of words and need to try to express myself through some other art form so maybe I’ll play the ukulele because it only has four strings so how hard can it be?”
In short: Art Reflects Life.
Members of Pussy Riot perform at Red Square, January 2012. Photo by Denis Sinyakov/Reuters
But now, in my mid-40s, I find myself wondering if the more meaningful creative path might be Life Reflects Art. Wherein the artist would choose an art form and follow that Continue reading
After deleting 139 photos of my ex, my photo gallery looks like I’ve only ever vacationed by myself. I suppose that’s sort of true: Me leaning casually against Hadrian’s Wall; me at Edith Piaf’s grave; me, in an optical illusion, touching the top of the Temple of Kukulkan as if it’s miniature and I’m a giant.
I can barely remember feeling hot that day, in Chichen Itza, or motion sick from the bus ride. I recall those details like an itinerary, like a packing list, like a fact that could also be a lie. Like a movie I once saw while sick with the flu that I later, inadvertently, adopted as a series of scenes from my own life. Memory is like that: Fallible, slippery. Continue reading
I found a folder of 68 photos, from a 2015 trip to Ireland, on a forgotten SD card. Like finding an old role of film, it turned up some treasures and lots of questions. What is this shot even of? What was I feeling on this day? Who was I, three years ago? So this week’s post is a flash fiction on that theme.
It’s not this town. And you’re glad, though this town is scenic, sprawling along a mineral-gray lake. The banks are mossy and the sky is pale blue and the hill beyond the village is artfully terraced by ancient people who carved civilization from the land with Iron Age tools. Maybe it was Bronze Age. You should know from all the museums but you don’t know. Continue reading
It’s the time of year when kids go back to school and people on the precipice of adulthood go off the college — some for the first time. This year it seems like everyone I know is the parent of a 17- or 18-year-old who is starting college, so my social media feeds are full of photos of Move In Day(s).
It’s a rite of passage — one of many that I, a person without children, have not been through.
Move-In Day, 1948 , from University of Mary Washington
Two things: 1) I barely recall being dropped off at college for the first time. I know my mom took me. I remember she had a perm at the time. There’s a photo of us somewhere and I’m wearing cargo pants. She might have been sad to leave me, but that’s not how I remember it.
So the going-off-to-college initiation is likely more impactful for parents, because the teenager’s life up to that point has been nothing but change, nothing but new experiences. It’s been school and life lessons and body morphing. College is of all of that (on steroids) with different scenery and less adult supervision. Continue reading
Photo by Thomas Calder
Alli Marshall is a poet, fiction writer, and performer. She’s interested in moving writing beyond the page, seeking the golden in the mundane, finding the intersection of art and social justice, and reconnecting with mythology — both ancient and modern.
Learn more about Alli here.
A performance from this year’s Asheville Percussion Festival. Soundscape by Bonnie Whiting, movement by Brandi Mizilca, words by me. It’s a poem about creative work and women’s work and the intersection of the two: the point at which an artist steps through fear to meet a challenge. (At least that’s what I think it’s about — but it’s totally open to interpretation.)
Video and audio by Joshua Messick, live soundboard audio mix by Steve Beatty and Edward Link at Diana Wortham Theatre in Asheville, video editing by Asheville Rhythm.
One of six poems examining the intersection of seeds and language and how both are transported, evolved, devolved and lost through migration.
Vintage image from a packet of dill seeds.