FOMO and the writing life, Part 2


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It’s only halfway true that, when I’m really into a writing project and I stay at home to work, I worry that I’m missing out on all the fun stuff. I’ve never actually been that great at fun stuff. (This might be why I was drawn to writing rather than, say, emceeing or acting or politics.) I’m the person who hides in the kitchen at a party, or talks to the resident dog. I’m the person who stands as far away from the stage as possible at a concert. More than missing out, I fear being crushed or having beer spilled on my shoes. Continue reading

In honor of Zelda

3646708ba9502f54d291fecf1001cfc31Zelda Fitzgerald passed away on this day in 1948. At the time, she was a patient at Highland Hospital in Asheville. It was there that a kitchen fire broke out in a building where Zelda, awaiting a shock-therapy treatment, was locked in an upstairs room with a number of other women, all who perished.

She quietly expected great things to happen to her, and no doubt that’s one of the reasons why they did. — Zelda Fitzgerald

For more on Zelda and an Asheville-based effort to commemorate her life and art, read this story.

Wayne Caldwell and Robert Morgan: Writing and Appalachia


Robert Morgan, lower left, and Wayne Caldwell, upper right.

During an event sponsored by the Western North Carolina Historical Association, authors Wayne Caldwell (Cataloochee and Requiem By Fire) and Robert Morgan (Gap Creek and Boone: A Biography)read from recent work (Morgan’s latest novel, Chasing the North Star will be published on April 5, by Algonquin Books), discussed Appalachia as setting and inspiration, and talked about their own writing processes.

On being from Western North Carolina:

Robert Morgan: It was the example of Thomas Wolfe. If he could grow up in Asheville and write Look Homeward Angel, maybe I could write something.

I grew up with one foot in the 19th Century. Remember, the people coming here [now], whether Hispanic or retirees, they all have stories, too.

Wayne Caldwell: When I published my first short story, someone asked me if I considered myself as Appalachian writer. I’d never even thought about it.

On perceptions of Appalachia in literature

Caldwell: Traditional Appalachian people have been centered on the bible for centuries.

Morgan: [But} I’d never heard of snake-handling in Appalachian churches until I read about it in novels.

Caldwell: [Contemporary Appalachian literature] focuses on drugs, crime and violence. There’s a darkness that’s come over the view of Appalachia. It bothers me that that’s what New York [publishers] want to buy.

Morgan: There’s a connection, I think, between the resurgence of Appalachian writing and the disappearance of Appalachian culture.

On publishing

Caldwell: It’s not self-publishing that’s the problem, it’s self-promotion.

Morgan: Publishers and editors are caught in a rapidly changing business. I realize my writing is old-fashioned. … I’m lucky to get published. The answer to how to get published is any way you can. There’s no rule, you just have to try everything.

The hardest thing to publish is short stories because every other person in the Unites States is writing short stories.

On process

Morgan: When I work in fiction, I begin with the voice because it’s voice-driven

Caldwell: I try tho write every day, and I try to do it at the same time [of day]. I like to write for a couple of hours in the afternoon. If I have the energy in the evening, I like to dedicate an hour to cleaning up what I’ve [written] that day.

Morgan: The most important advice I can give is to have a schedule that allows you to write every day. I’m lazy — I never work more than a couple of hours a day. But if you can give two hours or an hour and a half, it adds up.